On their brand-new album Trench, the renowned rock tape Twenty One Pilots inquiries how society deals with celebrity tragedy.

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Amid rising suicide rates and also a collection of public numbers killing themselves, what is the best means to talk about self-destruction? specialists counsel understanding for the victim of suicide and those they’ve left behind, much more open conversations around mental health, and a resistance come glorifying or fixating on the action itself. Yet pop society hasn’t adhered to those rule strictly: Netflix’s 13 factors Why sexed up self-harm, and also Robin Williams’s fatality elicited a jarringly sentimental solution from the Motion snapshot Academy.

The music world, kingdom of several of the most well known suicides in history, has actually recently laid ceiling the conflict impulses about how to approach the topic. A trend of morose rap and also rock has competed with mental-health concerns forthrightly but likewise with a feeling of romance, and details artists like to position themselves in the lineage of kurt Cobain. But there’s been much more survival-minded work being made, too. The rapper Logic’s 2017 hit, “1-800-273-8255” publicized the nationwide Suicide avoidance Lifeline and also told listener in psychic pain the they’re no alone.

The rock tape Twenty One Pilots, whose 2015 record Blurryface marketed an astonishing 1.5 million copies, has actually a brand-new album, Trench, the end Friday. Nestled in the center of that is a possibly controversial showstopper that a ballad, one that actively rejects few of the standard wisdom on exactly how to attend to suicide and also other develops of early on death. Dubbed “Neon Gravestones” and constructed on swirling piano and also twitchy north calibrated to create goosebumps, the track flirts through the idea of criticizing those that take their lives—and suggests something other than empathy as a way to attend to the suicide crisis.

As he regularly does, the vocalist Tyler Joseph swerves in between singing and also rap-like spoken word, yet here he pitches his voice right into something specifically fragile, hoarse, and tentative. In the first verse, he claims that us “glorify” civilization “when they”—and he leaves the sentence unfinished. When lock what? yet what he is referring to easily becomes clear. “My opinion: Our culture can treat a loss prefer it’s a win,” he sings. This cultural tendency communicates that “an earlier grave is an optional way.” that ends the thought, and the verse, ~ above one lonely syllable: “No.”

He gets much more strident together the track continues, stating “streams,” “extra conversation,” and also “celebration” as a reward if he “gives up” and chooses to “go out with a bang.” A number of recent high-profile deaths—suicides, overdoses, and also even murder—that sent the deceased’s work up the Billboard charts thus concerned mind. “They say, ‘How can he walk if he’s got everything?’” he sings, seeming to referral the common cognitive dissonance roughly celebrity tragedy. “I’ll mourn for a kid, yet won’t cry for a king.”

Chillingly, Joseph’s remarks about society link up v statements around himself: In the swellingly emotional bridge, he asks for promises that “If I lose to myself / You i will not ~ mourn a day and you’ll move on to who else.” that a difficult line he is drawing, but not one there is no caveats. “I’m not disrespecting what to be left behind / simply pleading the ‘it’ walk not acquire glorified,” the sings. Lest the be seen as “disrespecting” the dead, he claims that his trouble is “with the civilization we praise that may have assisted.”

But it’s difficult not to come out wondering if the dead have, in fact, been criticized. The track closes v a verse that’s part gut-punch and part PSA—the rhyme system is nearly Dr. Seuss-ian—in which Joseph acknowledges that it’s good that the stigma roughly discussing mental health has actually been lessening. “But for sake of conversation … can it it is in true that some can be tempted to usage this mistake as a type of aggression? … thinking ‘I’ll teach them’? Well, i refuse the lesson.”

The concern that arises: What might that refusal look like? No windy funeral, no share of memories and songs in the instance of untimely demise? Joseph doesn’t solitary out the particular ways in i beg your pardon the misuse that tragedy functions (see, because that example, just how members the the public have actually heaped reference on the grieving love ones that Mac Miller and Anthony Bourdain). He instead simply asks that “you i will not ~ mourn a day.” yet the ns of someone who touched countless lives v their art is going to create a mass solution inevitably, even if it is the reason of death is organic or not. Would certainly denying pan the best to remember be cruel? The only alternative path of activity Joseph says is to salary one’s respects to “grandparents or someone of age” for being “dedicated” to life.

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“The factor aestheticization of self-destruction is such a treacherous lie is it denies the truth that most civilization who kill themselves room trapped and also desperate,” the Anglican monk Giles Fraser created in The Guardian in 2013. “They are generally suffering native depression, or schizophrenia, or debt, or homelessness, or alcoholism, or drug addiction, or a combination of this things.” Joseph would seem come agree through Fraser’s resistance come aestheticizing suicide, and also yet in arguing that “neon gravestones” attract famous civilization to your death, he comes close come presenting self-destruction as an action of hope quite than hopelessness: a bid because that immortality. It is a daunting argument come make, no doubt. Yet the song is less a systematic argument than a collection of questions—tough ones about the departed, and also tougher ones because that those left behind.